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He is currently hard at work on a novel without a name.
Consider Hamlet as a sample subject. An encounter with his father’s ghost creates a disruption between the assumed past (his father died of natural causes) and the revealed past (his father was murdered by his brother): the revealed past quickly supplants the assumed past in Hamlet’s memory. The persistent question of Hamlet’s sanity is also a question of the stability of his memory; yet, his identity is not defined by memory. Nor is his identity determined by either volition or the degree to which the revealed past (memory) informs his decisions. His identity is defined as the totality of performed actions. If Hamlet concerns a human being at the apex of an existential crisis, vacillating between action and non-action, his identity for a large share of the play is non-action, impotence. For its inaccuracy, instability, and subjectivity, the memory cannot be the foremost indicator of identity. However, this is not an argument that memory plays no role in identity formation. Instead, to clarify, terminology must be bifurcated to accommodate these concepts: the sum of all completed actions can be termed realized (objective) identity while will and desire driving choice (often affected by memory) can be labeled as latent (subjective) identity. Latent and realized identity have substantial applications to Novel Without a Name, which will now be examined.
He is currently working on a novel without a name
In this particular moment, as chills run up his spine, Quan looses his ideology – the part of his identity that allowed the war to have significance, importance and reason in his view. In this moment he becomes a man without identity, a puppet of the war. This fragmentation and deconstruction of his identity ultimately shows the audience the consequences of war along with the inescapable traumas and loss of self that result from it.
Thus, these examples show that postmodernism can certainly be connected to Vietnam War novels such as Novel Without a Name. Not only do postmodern literature and Vietnam War literature move to both destabilize some form of authority, ideology or universal belief; but they both also seem to employ similar ways in engaging the audience to adjust its perception and point of view. It is this process that ultimately allows the work to reach its goal.